Birth, Death, Love and Rice (Cheers #271)

A Screenplay

CHARACTERS FRASIER: stuffy, pompous, sullen SAM: TALL, HANDSOME, GIANT GLOBE OF LUSH HAIR UP TOP

INT. THE BACK OFFICE OF A BOSTON TAVERN - DAY

FRASIER
Hello, Sam, old buddy.
SAM
Frasier. What the hell are you doing here? - Are you alone?
FRASIER
Yes, I'm alone.
FRASIER (CONT'D)
I didn't marry Diane.
SAM
You didn't?
FRASIER
No, I didn't. Does that make you happy?
SAM
Well, I'm happy for you. Just how'd you manage that?
FRASIER
Well, she left me at the altar. I had just vowed to take her for my wife. The priest asked her if she would marry me. She looked around and asked if he was talking to her. He nodded, and she was gone.
SAM
Gee, Fras, that's tough. She just took off, huh? No explanation or anything?
FRASIER
Well, there was no explanation necessary. It was you she loved all along. And it was the thought of you that made me lose her. The story of my humiliation spread like wildfire through the university and then to the entire Italian countryside. Everyone knew about it. Everyone knew about my shame.
SAM
Nah, you must have been imagining that.
FRASIER
Oh, was l? Do you know that in soccer, when a player kicks at the ball, misses and falls down, it's now called a "Frasier"?
SAM
That could be a coincidence.
FRASIER
If he's knocked cold, it's called a "Frasier Crane." I've lost everything, Malone. My tenure, my practice and my Diane. My life is ruined, and it's all your fault. Now, don't you think someone should pay for that?

(Frasier trains a .38 on Sam)

SAM
If by "someone," you mean someone in this room, I can I can honestly answer no, I don't.
(FRASIER APPROACHES)
SAM (CONT'D)
Oh, come on. Oh, wait a se‑‑ What are you doing? The gun's not even loaded.
FRASIER
Certainly it's loaded.
SAM
No, it isn't.
FRASIER
Of course you know it's not, because Frasier Crane is a harmless person. He never caused you a moment's concern, not a moment's worry. He was never a threat to your relationship with Diane, and he's not a threat now. Is that it, Sam?
SAM
No, it's just that the little holes there are empty.

(Frasier examines his weapon)

FRASIER
Once again, you're ahead of me, Sam. I just hoped to see you quaking in your boots a little bit or something, but you've cheated me even of that.
SAM
Boy. Boy, you're really bent out of shape over this, aren't you? Just out of totally idle curiosity, whatever did happen to Diane?
FRASIER
Well, I was recently informed by my mentor, Dr. Bennett Ludlow ‑‑ whose care I'm now under, incidentally.
SAM
And believe me, he's doing a heck of a job.
FRASIER
He told me that she's at St. Anselm's Abbey - an hour outside of Boston, with the Sisters of the Divine Severity.
SAM
Oh, whoa, whoa, wait. You can't be a nun if you've already‑‑
FRASIER
Oh, she's not becoming a nun, you idiot! She's working there. She's cleaning, serving meals, wearing sackcloth - that sort of thing.
SAM
I'll be damned.
FRASIER
You see, after she left me, Diane embarked upon a spree of decadence in Italy. I'd hear stories about dancing on tables in cafés, swimming in public fountains, cavorting with counts and soccer players. Well, now she's doing penance for la dolcé vita. She's seeking peace. I hope she's found it.
SAM
Diane, dancing on tabletops? You mean my‑‑? Your‑‑? Our‑‑? The Diane?
FRASIER
Yes, all of them. But now listen, Sam, - you won't go and see her will you?
SAM
No!
FRASIER
I mean, it would be disaster for everyone.
SAM
No, no. Believe me, I wouldn't do that. No, I'm over her. You know, and if you know what's good for you, I think you should forget about her too.
FRASIER
Oh, I'll forget about her. I'll forget about her when the moon turns to ashes and the birds sing nevermore.
SAM
There you go.
FRASIER
Well, I'm sorry about the histrionics, Sam.
SAM
Oh, no, don't.
FRASIER
You know, it's funny, even through all this, I still think of you as my goombah.

Well, it's best that I get going. But let's do the lunch thing sometime.

SAM
I'd like that. Yeah. Take care.
FRASIER
You won't go see her?
SAM
No way. No.
(FRASIER EXIT)
FIN